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Jean-Claude
Belgrade
Hanoi

Adrian Cachinero Vasiljević

veni, vidi, vinum bibi

Currently based in Lausanne, Switzerland.

Adrian Cachinero Vasiljević is a Serbian-Spanish student at the Ecole Polytechnique Fédérale de Lausanne in Electrical & Electronic Engineering, with a passion for the creative and the abstract.

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All work is strictly copyrighted.

Contact me

- email: acachinero a.t gmail.com
- telephone: on request

Past exhibits & work

Ingénieurs du Monde, EPFL, Lausanne, Switzerland
(March-April 2010)
Sémaine du Monde

Municipal Gallery of Kharkiv, Ukraine
(July 2009)
Lomosapiens

Concert & Press Photographer
(2009, 2010)
Festival Balelec '09 & Ucalenda.ch '10 pour Festival Balelec

EPFL Lausanne, Switzerland
(March-April 2009)
Connections: A portfolio linking people continents apart

Fnac Lausanne, Switzerland
(March 2008)
Rêves indochinois
Contact me

- email: acachinero a.t gmail.com
- telephone: on request
- LinkedIn

Resumé [PDF]
PDF
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“Praia de Beliche” One of the immaculate beaches of the Parque Natural de la Costa Vicentina in south-western Portugal.

“Praia de Beliche”

One of the immaculate beaches of the Parque Natural de la Costa Vicentina in south-western Portugal.

“Wicker basket” Riding down the hill above Funchal in a wicker basket.

“Wicker basket”

Riding down the hill above Funchal in a wicker basket.

“Focus: Untitled in Kragujevac” Kragujevac is an industrial city in Central Serbia. A former powerhouse of the Socialist economy, today it dwindles slowly in rust and grime, a shadow of its former past.  It’s not easy to forget when the city provides so many chances to dwell on the times gone. A rumbling Yugo, a relic of the manufacturing powerhouse city, trundles past an old mural extolling the virtues of the good Socialist rural life. The future creeps in around the corners, capitalism charging in discreetly, fluttering Armani banners.

“Focus: Untitled in Kragujevac”

Kragujevac is an industrial city in Central Serbia. A former powerhouse of the Socialist economy, today it dwindles slowly in rust and grime, a shadow of its former past. 

It’s not easy to forget when the city provides so many chances to dwell on the times gone.

A rumbling Yugo, a relic of the manufacturing powerhouse city, trundles past an old mural extolling the virtues of the good Socialist rural life.

The future creeps in around the corners, capitalism charging in discreetly, fluttering Armani banners.

“Punta de Sao Lorenço”

“Punta de Sao Lorenço”

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